Showing posts with label christopher bailey. Show all posts
Showing posts with label christopher bailey. Show all posts

Thursday, 12 June 2008

Ravensbourne's Jessica Au takes Gold at River Island GFW Gala

Last night the UK fashion industry's cognoscenti decended on Earl's Court 2 for the Graduate Fashion Week Gala, the 17th annual awards ceremony for graduating fashion students. Caryn Franklin, probably one of my formative fashion inspirations, hosted the event, at which River Island CEO Richard Bradbury confirmed a further year's sponsorship of GFW - confirming my earlier blog at the beginning of the week (you heard it hear first, fashion punters!).
Ravensbourne, which had gained plaudits for its show on Sunday, scooped two awards in the form of Jessica Au, who won both the top accolade of the River Island Gold Award and the Zandra Rhodes Catwalk Textiles Award for her menswear collection of wool and satin tailored suits and separates printed with clashing, blown-up floral forms in pinks, purples, reds and whites - kind of a radioactive Paul Smith pushed to its limits.
The winner of the Womenswear Award was Nabil El Nayal, from Manchester School of Art, whose monochrome collection of voluminous Victoriana nightgown, blouses and dresses, as well as high waisted tux trousers in chiffon, satin and cotton had been my personal favourite at that college's show.
Ria Thomas, of Nottingham Trent University, picked up the Pringle of Scotland Visionary Knitwear Award, and quite rightly so - her open knit dresses in sea blue-greys and cream were ultra-sexy, body conscious and innovative, and felt v. pleased with myself for having picked out another winner.
The Menswear Award went to Domingo Rodriguez, who had played with textures and transparencies in his slim-cut tailored collection in black and grey chiffon, knit, leather.
Notably, this year the British Fashion Council came on board as a sponsor, presenting the BFC Creative Cutting Award, developed to encourage technical skills among fashion students - this was won by Tim Rhys Evans, Manchester School of Art, whose toile and final piece was brought on stage to demonstrate his working method.
The fashion promotion and media awards continue to go from strength to strength, as the work entered gets better every year, and the winners are (deep breath!!): Strategic Marketing Award - Thomas Hopkins, University of Central Lancashire; Creative Marketing Award - Emily Bell, Northumbria, Fashion Marketing; Dalziel + Pow Stand Design Award - Northumbria, Fashion Marketing; Jon Adam Portfolio Award - Poppy Diver, Kingston; Society of Dyers and Colourists Award - Laura Fauvel, Ravensbourne; Mulberry Accessories Award - Sarah Kennedy, Northumbria, Fashion; Fashion Innovation Award - Thomas Rothery, Manchester School of Art; National Magazine 'First Word' Journalism Award - Jennifer Weibking, UCCA Epsom (which delivered all the nominees in this category!); and Media and Design Award - Lesley Schofield, University of Salford. Phew! Make a note of those names and these should be the names we are looking out for in the future. I made a note of Thomas Rothery's details, as his collection was ultra-bike friendly, and perfect for the bike catwalk show being planned later this year (the one I was wittering on about yesterday).
A key focus of the GFW team has been to underscore the professionalism of graduates' work, making sure that the global industry sits up, takes notice, and gives as many a job as possible. Certainly, last night's show exuded professionalism, and I have no doubt that each of the 16 design finalists have every chance to make it, as do the finalists in the fashion promotion and media awards, which were presented before the catwalk show. Before this, the potential of the finalists was highlighted with a mini showcase of former GFW graduates' work, with a look from the collections of: Julien Macdonald - 1993, Brighton; Amy Molyneaux, PPQ - 1999, University of Central Lancashire; Thea Bragazzi and Justin Thornton, Preen - 1993, University of Central Lancashire and Winchester, respectively; Richard Nicol - 2002, Central Saint Martins; Giles Deacon - 1992, Central Saint Martins; and Christopher Bailey - 1991, Westminster (he was the first ever GFW Designer of the Year, factfinders!). I really, sincerely hope that some of the names who won yesterday might be in a position to take place in a similar showcase, five, 10, 20 years down the line.
At the champagne reception and the aftershow party, the space was a buzz with positive feeling about the direction that GFW is heading, and also the new venue and iniatives at the event; no doubt it will continue to evolve on the same trajectory.
\\\\ PS. note for diary - bit premature possibly, but - next year's Graduate Fashion Week is set for June 7-11, 2009, same place.

Wednesday, 11 June 2008

GFW catwalk show: University of Westminster

Westminster, as far as I can ascertain, is a hot ticket at Graduate Fashion Week, having introduced the likes of Christopher Bailey, Stuart Vevers and Katie Hillier to the fashion world. Many of these industry names continue to support the course, returning to assist with selections, judge awards and simply offer insights to current students of their working life; indeed, Bailey and Markus Lupfer were ensconced on the front row as this year's show kicked off.
Westminster is noted for its professionalism, its outsized graduate lookbook-cum-style magazine a case in point; in some courses this can lead to a dearth of humour in collections, but this show seemed to keep the balance of professionalism and experimentalism. Interestingly, the GFW executive committee was involved in the selection process this year, which may be why the show was more eclectic in some respects: I think perhaps there were some collections chosen for impact that might not otherwise have been in keeping with the careful image the course has been cultivating.
//// Awen Teifi: created linen garments in neutral colours, accessorised with flexible wood veneer collars and shoulder embellishments.
//// Stephanie Norris: white cotton garments supporting overlayers of evenly-cut fringing created the look of fluidity with structure.
//// Krishna Chavda: his techno schoolboys play cricket offered neoprene, slim fit playing shirts with blazers and jersey separates in a mix of old-school colours and neons.
//// Emma Griffiths: this was my stand-out collection from the show - her look was military inspired, replete with mini bearskins. The body-con, tailored separates, for example drainpipe trousers made from interwoven wevbbing, contrasted with long hair capes created a dark, gothic and strong look.